VIETNAM WAR PROTEST--link to the past
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Vietnam: The music of protest | |||||||
In the early 1960s, the folk-song movement was already well-established with artists like Joan Baez and Bob Dylan reaching a relatively small but devoted audience.
Songs like "The Lonesome Death of Hattie Carroll" by Bob Dylan and "Birmingham Sunday" by Joan Baez emphasised the losses in the civil rights struggle. And the most famous song of this era - Bob Dylan's Blowin' in the Wind - had as its last verse "how many years can a people exist before they're allowed to be free." Dylan's anti-war songs, such as Masters of War, were more general than specific about Vietnam. Escalation By 1965, as the US began to escalate its military presence in Vietnam, the folk protest movement began to shift its focus, with singers like Joan Baez joining in the protest. And within a few years the protest movement was gathering steam on US campuses, with the March on Washington (in conscious imitation of the 1963 civil rights march) and the Pentagon in 1967. Folk-singers and rock stars appeared at anti-war rallies.
But as the war escalated, the song that probably captured the intensity of feeling by young people who faced the possibility of serving in Vietnam through the Selective Service draft was I Feel Like I'm Fixing to Die Rag, written by Country Joe MacDonald a few years after he was discharged from the Navy. Its bitter lyrics "you can be the first one on your block to have your boy come home in a box" were played again and again at rallies and demonstrations. Counter-culture As the draft began to reach into the student population - by 1968 there were half a million US troops in Vietnam - the level of campus protests rose dramatically. At the same time, the nature of the protest song also changed.
Groups like the San Francisco-based Jefferson Airplane and the Grateful Dead were closely associated with the protest movement as they moved into drug-influenced acid rock. American flags were destroyed on the platform at Woodstock, and Jimi Hendrix played a strange version of the American national anthem. And the protests got even stronger after four students were shot and killed during an anti-war demonstration at Kent State, Ohio, in 1970.
The group Crosby, Stills, Nash and Young wrote the song Ohio with the lyrics: Tin Soldiers And Nixon's Bombing But under President Nixon's policy of Vietnamisation, US soldiers were rapidly being withdrawn from combat while high-level bombing continued even as peace negotiations began - and campus protests began to ease. One of Joan Baez's last Vietnam protest songs was about the bombing on Hanoi in 1972. Culture wars But the counter-culture had began to move on - to the era of heavy metal and the moment in the late 1960s when mainstream culture had embraced the protest movement had passed. But the convergence of culture and protest left a heavy legacy which still lives on. It stamped an indelible mark of rebellion on the rock music scene and was the origin of the culture wars which still dominate American politics today. Not everyone was a protester, and those who weren't - and the cultural strands which did not embrace protest, such as country music - deeply resented its dominance. A conservative counter-movement began - expressed politically in the "hard-hat" working class opposition to Vietnam war middle-class student protesters. This still has great resonance in the structure of politics today. "1968" by Michael Borkson 1. 1968 was a year I remember, revolution spilling to the streets, 1968, in the streets of Chicago, as the crooked politicians took their seats, and the revolution did ring, as the children did sing, about love, about peace. 2. in 1968, the war it was raging, it made President Johnson resign, Nixon took over, he escalated the bombing, America no longer yours and mine, and the draft cards did burn, as the children did learn, about love, about peace. 3. in 1968, King and Kennedy were killed, by the governments conspiracy, tragedy for the nation, hope had died, that someday wed all be free, and the ghettoes did set aflame,and Buddhist monks did the same, in the shadows of love, in the shadows of peace. 4. so heres to Abbie Hoffman, Bobby Seale, and the rest, revolutionaries in Chicagos streets, defying Hubert Humphrey, Mayor Daley, and the cops, many a protestor they did beat, lest we never forget, that its not over yet, for love, for peace, yeah, im singing about love, im singing about peace, it was 1968, it was 1968.... |
VIETNAM 30 YEARS ON KEY STORIES IN PICTURES Ho Chi Minh City remembers the events of 30 years ago. BACKGROUND Guide to the history of the Vietnam War | ||||||
